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Deep Listening To Pauline Oliveros Throughout The Web – The Brooklyn Rail




Deep Listening To Pauline Oliveros Throughout The Web – The Brooklyn Rail

Web-based collaboration might sound modern, however it’s established. One artist on the forefront of this motion was pioneering composer and accordionist Pauline Oliveros, who started working with the Web within the Nineties and 2000s. She noticed know-how as one thing that would open the door to new methods of constructing music, and one thing that would increase musical partnerships throughout borders. I wrote in a 2009 article in Leonardo Music Journal #19. “Making music together makes friends.”

Present tasks spotlight the present origins and achievements of Oliveros’ digital collaboration and the methods by which the composer has related artwork and know-how and solid relationships on-line. with Half-pigeon in New York, half-pigeon in Buenos Aires (Smalltown Supersound), an archival model of a 1999 improvisation between Argentine experimental band Reynolds, Oliveros and others, the sound and strategy of early distant music making—music made on-line, concurrently, in varied places—involves life. Different applications such because the Deep Listening Middle A yr of deep listening Deliver Oliveros’ textual content levels right into a digital, international, and interdisciplinary subject. Tasks like this spotlight Oliveros’ early pursuits in know-how and the way they proceed to look at the moment.

Oliveros, who would have turned 90 this yr, is finest recognized for codifying the time period “deep listening,” a apply that encourages actively listening to our environment. Oliveros as soon as stated, “Listening is to direct attention to what is heard, to gather meaning, to interpret, and to make a decision about an action.” Deep listening could be practiced by way of quite a lot of strategies: audio meditations, for instance, are sometimes generated from easy textual content scores that ask individuals to work together with the sounds round them; All deep listening pathways encourage creativity and interplay with self and others.

Know-how was one of many instruments Oliveros used to foster collaboration and experiment with new methods of constructing artwork. She was an early adopter of the digital world, typically utilizing it to encourage artists from many alternative locations to carry out collectively. Wherein Leonardo Music Journal In her article, she notes that her first on-line collaboration got here in 1991, when she labored with artists from six cities throughout the US, utilizing a video telephone bridge. These early applied sciences got here with a substantial amount of latency and delay, however as a substitute of seeing glitches as hindrances, they grew to become a part of the expertise and gave the music coloration.

Whereas Oliveros started engaged on distant music earlier than 1999 with artists throughout the US, Half-pigeon in New York, half-pigeon in Buenos Aires It marks her first worldwide collaboration. To make the double-sided album, Reynolds, Oliveros, tromboneer Monique Buzarti, and artist Kevin McCoy improvised collectively on-line—Reynolds greeted from Buenos Aires, whereas the others set off from New York. This know-how confirmed artists that they may play music collectively whereas dwelling in several international locations, and opened the doorways for later performances, such because the 2009 reside live performance by Alan Curtis of Reynolds and Oliveros throughout her lifetime and enterprise accomplice’s 14th annual Dream Pageant.

The album was born out of an extended musical partnership and friendship between Oliveros and Reynols. They first met on Oliveros’ journey to Argentina in 1994. On this journey, Oliveros heard the group improvise on brass devices that they had by no means performed earlier than, and have become fascinated by their creativity. “It was clear that they understood and negotiated the element of risk in the kind of improvisation I appreciate,” she wrote in a brief August 1999 essay accompanying the album. Though the 2 have been far aside – Oliveros in Kingston and New York and Reynolds in Buenos Aires – the artists nonetheless discovered methods to speak, typically by faxing one another. About their ongoing relationship and long-distance collaboration, Cortes and fellow Reynolds member Roberto Conlazo stated: “We felt that Pauline was very near us regardless of the gap. And to at the present time, despite the fact that she is not bodily current on this planet, we really feel that Pauline’s spirit nonetheless resonates. In our hearts “.

Their widespread experiential motive will proceed to attach them and function a mainline for a lot of of their tasks. works like Half-pigeon in New York, half-pigeon in Buenos Aires I nonetheless really feel the long run when listening to them at the moment. A lot of the album’s motion is preserved, suspended in eerie stillness as siren-like sounds ring round every instrument. Accordion clippings fall right into a mattress of high-pitched whistles, and a deep hum reverberates beneath. Curtis and Conlazo state that her recording expertise was “a bit chaotic” because of the high quality of the 1999 broadcast, however that it was “a very inspiring experience”. Her voice actually displays the early web; Somewhat grainy, slightly unique. However a long time later, at a time when the web has change into such an integral a part of our lives, it nonetheless evokes a way of one other world.

On the Middle for Deep Listening, an Oliveros-founded institute primarily based at Rensselaer Polytechnic in Troy, New York, a year-round digital celebration marks Oliveros’ ninetieth anniversary. A yr of deep listening It presents each day textual content outcomes contributed by, and accessible by, artists from around the globe, in quite a lot of disciplines. All levels take totally different kinds: Ione’s reminiscence now The challenge opened with a contemplation of time, reminiscence and the current, whereas scores like Stephen Chase ear purification Contributors are requested to improvise with the sound of label tubes.

The challenge got here to have fun Oliveros’ work and to unite folks fascinated about working towards deep listening. It is for everybody, from individuals who have been concerned in Oliveros’ work for years to these simply discovering it, skilled and beginner artists alike. Stephanie Lovelace, director of the Middle for Deep Listening, describes it as “a way to build community.” The scores have been chosen by a panel of judges and sorted by way of open calls utilizing instruments akin to social media.

For Loveless, inviting folks to contribute scripts in celebration of Oliveros’ life and work was a approach to contain polyphony in a key strategy of Oliveros’ teachings. Sonic Meditation has all the time been on the coronary heart of their deep listening apply and expertise.

The methods I educate deep listening — and my very own paintings — are centered on actually accessible levels which might be nearly like pedagogical instruments, or entry factors, for each musicians and non-musicians to deepen their very own listening expertise, and their connection to the world round them.

With these levels obtainable on-line on the Deep Listening Middle web site, anybody can entry them and start to discover their very own relationship with listening.

Different deep listening tasks have additionally taken a digital strategy just lately. In April 2020, Zoom showcased a weekly efficiency from Oliveros set meditationLed by Eoni, flutist Claire Chase and Raquel Acevedo Klein, it reached hundreds of individuals on all seven continents. The piece instructs individuals to make quite a lot of sounds and sounds primarily based on instructions and what they hear round them. Alongside the identical strains, Lawrence Conservatory College – a campus affiliated with the Middle for Deep Listening – and Fifth Home Ensemble have teamed as much as provide weekly Deep Listening episodes on Fb Reside all through 2020 and 2021 to strengthen the neighborhood.

Zoom’s reflections proceed at the moment by way of exhibits like Michael Riley’s weekly Sound Sangha, which he started internet hosting to attach along with his neighborhood after shifting to Europe. For Riley, a member of the Deep Listening Middle neighborhood, internet hosting Zoom meditations permits him to see variations within the audio panorama between quite a lot of places. Everybody calls from their house, from Philadelphia to the Arizona desert. “We contemplate the sound of our environments,” he stated. “People have different seasons, urban environments, rural environments, and we have to imagine these different acoustic worlds together.”

Though these tasks present many entry factors to Oliveros’ earlier work and legacy, they’re all constrained by an identical want to unite a worldwide neighborhood by way of music and ideas of deep listening. We did not know within the ’90s how the know-how would evolve, however Oliveros had a imaginative and prescient. “I am interested in helping to develop the Internet as an international place where diverse collaborators can do business with one another,” she wrote in 1999. And this dream has continued to develop.




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